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Cheil UK poaches Grey’s CMO Cat Davis to lead growth strategy in Europe

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Catherine Davis, chief marketing officer at Grey London, has departed the WPP agency to join Cheil as chief growth officer for UK and Europe, The Drum can reveal. 

Davis has spent the past six years at Grey where she earned a reputation for driving new business after landing 64 accounts during her tenure.

At Cheil she will be responsible for driving business growth across Europe with a specific focus on the UK market, reporting directly into the agency’s chief operating officer Matt Pye.

Pye said: “Cat’s new business record at Grey speaks for itself. She’s a phenomenal appointment, and follows hot on the heels of Lotta Malm-Hallqvist as global growth officer. This underlines Cheil’s ambition to secure rapid growth with high-quality clients. It’s a really exciting time to be part of the Cheil network.”

Malm-Hallqvist joined from McCann Worldgroup– where she was executive vice president and global chief growth officer – in January with a remit to strengthen Cheil's position in the global marketplace.

Davis added: “The opportunity to join Cheil – an agency with the ambition and passion to become a force to be reckoned with locally, regionally and globally, is one that was too great to resist. It’s an incredibly exciting agency to be at right now.

“I’ve had an incredible six years at Grey. It’s been fantastic being a senior part of their turnaround story and I’m now relishing a new challenge.”

Prior to Grey, Davis spent time at China Now and RKCR/Y&R, Burkitt DDB, Leo Burnett and TBWA.


Grey London promotes Bill Scott and Natalie Graeme to push growth and innovation agenda

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Grey London has promoted managing director Bill Scott and managing partner Natalie Graeme to the roles of UK Group managing director and managing director respectively.

As UK Group managing director Scott will be responsible for group operations and driving further integration between the agency’s advertising, shopper, digital, production and social business units, as well as collaboration with the wider network.

Graeme, now managing director of Grey London, is charged with overseeing creative services and the agency’s content division specifically.

Scott said: “It’s through increased collaboration that the best and most innovative ideas are born – and it’s that kind of surprising work that we want to be making. Integrated wins over the past two years like General Mills and McVitie’s, plus the fact that 80 per cent of our clients already work with more than one business unit, show how compelling the offer at Hatton Garden already is.”

Managing partner Nicola Wardell has also stepped up to client services director, replacing Sarah Jenkins who has been promoted to chief marketing officer.

England Golf hires Generate to develop commercial & marketing strategy

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England Golf, the body representing amateur golfers, has hired sport & entertainment agency Generate to help it devise a long-term commercial and marketing strategy.

Intended to boost membership and drive participation the promotional push follows a 2012 merger between the English Golf Union and the English Women’s Golf Association, giving it responsibility for 1,900 clubs and 675,000 members.

Rupert Pratt, managing partner of Generate said “We are delighted to be working with England Golf to raise awareness of their existing activity and attract commercial partners to help them grow the game. This is a unique opportunity to directly access and engage with their 675,000 members and 1,900 clubs but also with the 1.13m* golfers in England via a broad range of activities.”

David Joy, CEO of England Golf, said, “We have an exciting vision and strategy prepared and are looking forward to working with Generate to raise awareness of activity we have in place and securing partners. We have a fantastic platform to commercially grow businesses via our unique access to the golf community nationally and regionally.”

The new commercial strategy will cover sponsorship, broadcast and PR as well as an overhaul of existing digital and CRM platforms.

Scope asks Brits to 'Kiss the awkward goodbye' on International Kissing Day

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To celebrate International Kissing Day (Monday 6 July) Scope has released a heart-warming film of disabled people and their partners kissing in a bid to break down barriers and challenge assumptions about disability.

The film, created by Grey London and directed by Nabil, stars real-life couples Ollie Hancock, who was born with the lower part of his right arm missing, and Jen Shersby; visually impaired Diane Noella and Anthony Pike; and wheelchair user Michael Buckley and his wife Claire.  

Of the work, which forms part of Scope’s wider ‘End the Awkward’ campaign, Buckley said: “End the Awkward has an important message – some people don’t know how to handle some situations, treat or even speak to disabled people. The film shows we are just people too.”

Richard Lane, head of campaign at Scope, commented: “We made this film to show that when you get down to it – literally – we’re all the same and it’s about personal connection and chemistry. Sex and relationships are meant to be fun and passionate. The couples in our film show that disability doesn’t change that.

“We want people to relax and not let their assumptions about disability and sex get in the way of what could be a special connection with another person. Disabled people say the most important thing is to focus on the person and the connection, not the impairment. So let’s kiss the awkward goodbye.”

The film comes in response to Scope research that found just seven per cent of people have been on a date with, or asked out, a disabled person.

Creative Department 8 July Winners featuring Grey London, Creative Forager, Havas Chicago and Dare

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The winners of the latest Creative Department have been revealed in the 8 July issue of The Drum.

Check out the top creative work picked by The Drum UK and US readers, our sponsor, Workfront, and this issue's creative director Nick Hastings of krow Communications.

GreyShopper quickens expansion with senior management refresh

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GreyShopper, the shopper marketing arm of Grey Group, has promoted the managing director of its London office Sarah Green to the newly created role of chief executive of its EMEA regions as it looks to capitalise on renewed interest in the discipline.

Green will have oversight of the 10 GreyShopper agencies worldwide and is tasked with tying them together under a stronger umbrella strategy that can grow the network's reputation. She will report to global chief executive Joe Lampertius.

Her remit aims to capitalise on the shopper marketing group’s momentum over the last 12 months that has seen its roster of Procter & Gamble (P&G) brands swell. It won the FMCG company’s global shavecare business earlier this month and recently hired Peter Viento as its first global executive creative director from US agency Colangelo.

Green is succeeded by GreyLondon’s director Rob Sellers, who has played a core part in high-profile campaigns for McVitie’s, P&G and Lucozade. He worked closely with Green to secure new accounts including Volvo and Helly Hansen as well expanded its P&G business from four to 14 brands. Both Green and Sellers have helped raise the profile of the London business over the last two years at a time when marketers’ approach to shopper marketing has started to mature and the tactics they employ get more sophisticated.

Green said: “I'm delighted to be leading the GreyShopper charge across the EMEA region. We have some incredible talent and the untapped potential in the shopper and activation arena is ripe for further development - particularly as clients are more focused on the channels that convert the sale than ever before."

The move comes as the likes of McVitie’s, General Mills and P&G take more care in how they activate their brands in-store, taking time to ensure that the products being sold are more attuned to the concepts being advertised.

Sunshine snaps up Grey London's Hollie Newton for first ECD role

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Creative agency Sunshine has poached Grey London's global creative director Hollie Newton for its first executive creative director role. 

Newton, who will report to Al MacCuish, founder and chief creative officer at Sunshine when she starts in early September, called Sunshine "by far the most exciting creative agency right now". 

Having led and won the worldwide Volvo Cars pitch, Newton led a creative turnaround for the agency's Swedish business including the two-times Cannes Grand Prix winning Volvo ‘LifePaint’ project. 

Newton joined Grey in September 2013 as global creative director, after a four year spell at Wieden + Kennedy London. She started her career in digital at Engine then went on to join Nitro, where she worked on Foot Locker and Volvo. 

Newton added: "To join an independent, rapidly growing agency - with all the freedom that brings - gives us the chance to define our own future. A completely different shape of work. If I can just work out how to get there from Shepherds Bush, we'll be off to a flying start.”

Sunshine has recently won work with Google, the Roald Dahl Literary Estate and the Lebara Play launch. 

Droga5 poaches Grey London's Bill Scott as CEO of London office

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Droga5 has poached Grey London's group managing director Bill Scott to serve as its London office's chief executive. 

Prior to his role at Grey London, which he joined in 2013, Scott spent 13 years at BBH where he was managing partner and client services director. 

Commenting on Scott’s appointment, David Droga, creative chairman and founder of Droga5, said: “Bill is everything we were looking for in a chief executive and more. A natural leader, blessed with the humility, class and inspiring ambitions that make him the perfect fit for this company.”

Scott will join Droga5 in October. 


Ad of the Day: Lucozade - Flow

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Grey London demonstrates again that they're an agency bristling with confidence by broadcasting a sensational piece of work for Lucozade. The film is built on the conceit that the advertised drink gives people what it takes to keep going no matter what the circumstances.

But, cleverly, they've moved this notion away from the sporting arena and into everyday life. You don't need to be an elite athlete pursuing a PB in the marathon to take advantage of Lucozade's energy-giving properties... you can be a dog barber; a kebab maker; or an office wonk.

Credits

Agency: Grey London
Creative Director: Darren Wright
Creative: Theo Bayani / Miguel Gonzalez
Account Director: Sarah Jones
Planner: Holly Clancey
TV Producer: Emma Fasson
Creative Production: Freya Thompson
Film Production: Park Pictures
Director: Nathan Price
Producer: Ben Croker
Photography: Justin Brown
Editor: Paul Hardcastle
Post Production: MPC
Sound Design: Jack Sedgwick @ Wave
Music Production: Adelphoi
Media Agency: Mediacom

Today's ad of the day is brought to you in association with David Reviews.

Creative Department: Featuring Grey London, RKCR/Y&R, Southpaw and more

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Welcome to The Drum Creative Department, sponsored by Workfront.

As always this section is dedicated to showing the best creative work and gives you, the reader, the chance to decide which work we feature in our printed edition of The Drum and our 'Ad of the Week'.

You can vote for the work you like best, simply by clicking the 'Like' button beside the work, and the winner will be featured online.

To submit work for future publication contact gillian.west@thedrum.com. For voting updates and more follow The Drum Creative Department on Twitter @TheDrumCreative.

Creative Department 8 July Winners featuring Grey London, Creative Forager, Havas Chicago and Dare

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0
0

The winners of the latest Creative Department have been revealed in the 8 July issue of The Drum.

Check out the top creative work picked by The Drum UK and US readers, our sponsor, Workfront, and this issue's creative director Nick Hastings of krow Communications.

GreyShopper quickens expansion with senior management refresh

$
0
0

GreyShopper, the shopper marketing arm of Grey Group, has promoted the managing director of its London office Sarah Green to the newly created role of chief executive of its EMEA regions as it looks to capitalise on renewed interest in the discipline.

Green will have oversight of the 10 GreyShopper agencies worldwide and is tasked with tying them together under a stronger umbrella strategy that can grow the network's reputation. She will report to global chief executive Joe Lampertius.

Her remit aims to capitalise on the shopper marketing group’s momentum over the last 12 months that has seen its roster of Procter & Gamble (P&G) brands swell. It won the FMCG company’s global shavecare business earlier this month and recently hired Peter Viento as its first global executive creative director from US agency Colangelo.

Green is succeeded by GreyLondon’s director Rob Sellers, who has played a core part in high-profile campaigns for McVitie’s, P&G and Lucozade. He worked closely with Green to secure new accounts including Volvo and Helly Hansen as well expanded its P&G business from four to 14 brands. Both Green and Sellers have helped raise the profile of the London business over the last two years at a time when marketers’ approach to shopper marketing has started to mature and the tactics they employ get more sophisticated.

Green said: “I'm delighted to be leading the GreyShopper charge across the EMEA region. We have some incredible talent and the untapped potential in the shopper and activation arena is ripe for further development - particularly as clients are more focused on the channels that convert the sale than ever before."

The move comes as the likes of McVitie’s, General Mills and P&G take more care in how they activate their brands in-store, taking time to ensure that the products being sold are more attuned to the concepts being advertised.

Sunshine snaps up Grey London's Hollie Newton for first ECD role

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Creative agency Sunshine has poached Grey London's global creative director Hollie Newton for its first executive creative director role. 

Newton, who will report to Al MacCuish, founder and chief creative officer at Sunshine when she starts in early September, called Sunshine "by far the most exciting creative agency right now". 

Having led and won the worldwide Volvo Cars pitch, Newton led a creative turnaround for the agency's Swedish business including the two-times Cannes Grand Prix winning Volvo ‘LifePaint’ project. 

Newton joined Grey in September 2013 as global creative director, after a four year spell at Wieden + Kennedy London. She started her career in digital at Engine then went on to join Nitro, where she worked on Foot Locker and Volvo. 

Newton added: "To join an independent, rapidly growing agency - with all the freedom that brings - gives us the chance to define our own future. A completely different shape of work. If I can just work out how to get there from Shepherds Bush, we'll be off to a flying start.”

Sunshine has recently won work with Google, the Roald Dahl Literary Estate and the Lebara Play launch. 

Droga5 poaches Grey London's Bill Scott as CEO of London office

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Droga5 has poached Grey London's group managing director Bill Scott to serve as its London office's chief executive. 

Prior to his role at Grey London, which he joined in 2013, Scott spent 13 years at BBH where he was managing partner and client services director. 

Commenting on Scott’s appointment, David Droga, creative chairman and founder of Droga5, said: “Bill is everything we were looking for in a chief executive and more. A natural leader, blessed with the humility, class and inspiring ambitions that make him the perfect fit for this company.”

Scott will join Droga5 in October. 

Ad of the Day: Lucozade - Flow

$
0
0

Grey London demonstrates again that they're an agency bristling with confidence by broadcasting a sensational piece of work for Lucozade. The film is built on the conceit that the advertised drink gives people what it takes to keep going no matter what the circumstances.

But, cleverly, they've moved this notion away from the sporting arena and into everyday life. You don't need to be an elite athlete pursuing a PB in the marathon to take advantage of Lucozade's energy-giving properties... you can be a dog barber; a kebab maker; or an office wonk.

Credits

Agency: Grey London
Creative Director: Darren Wright
Creative: Theo Bayani / Miguel Gonzalez
Account Director: Sarah Jones
Planner: Holly Clancey
TV Producer: Emma Fasson
Creative Production: Freya Thompson
Film Production: Park Pictures
Director: Nathan Price
Producer: Ben Croker
Photography: Justin Brown
Editor: Paul Hardcastle
Post Production: MPC
Sound Design: Jack Sedgwick @ Wave
Music Production: Adelphoi
Media Agency: Mediacom

Today's ad of the day is brought to you in association with David Reviews.


Creative Department: Featuring Grey London, RKCR/Y&R, Southpaw and more

$
0
0

Welcome to The Drum Creative Department, sponsored by Workfront.

As always this section is dedicated to showing the best creative work and gives you, the reader, the chance to decide which work we feature in our printed edition of The Drum and our 'Ad of the Week'.

You can vote for the work you like best, simply by clicking the 'Like' button beside the work, and the winner will be featured online.

To submit work for future publication contact gillian.west@thedrum.com. For voting updates and more follow The Drum Creative Department on Twitter @TheDrumCreative.

Ad of the Day: Greene King - To the Pub

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‘What makes a pub special?’ Greene King asks in a heart-warming initiative championing the great British institution - the pub.

More than just places to drink, the cask ale brand’s ‘To the Pub’ series comprises of 50 films of 50 of the nation’s best loved pubs, shot by those who know them best: their landlords and locals. 

Ahead of its debut next month Grey London has created a trailer for the series painting not just a charming portrait of the nation’s boozers but showing why they play such a significant role in the lives of those who frequent them 

Credits

Agency: Grey London
Creative Director: Simon Brotherson
Art Director: Jonathan Rands
Copywriter: Alex Tizard
Additional Credits: Account Team: Business Director: Alex Clarke-Groom
Account Director: Oliver Lester
Account Manager: Claire Frean
Agency Producer: Amy Cracknell
Creative Producer: Freya Thompson
Planner: Alix Toothman
Media Agency: Nick Stewart Media Consultancy
Production Company: Just So
Director: Paddy Wivell
Editor: Jack Driscoll, Will Evans, Stephen Dunne, Julian Fletcher, Matt Newman
Producer: Sara Conlon
Executive Producer: Ric Baldock
Designer: George Goldsack
Post Production: Just So
Soundtrack Composer: Richard Spiller
Audio Post Production: David Williams, Envy

 

Vodafone claims it knows how ‘truly accountable’ all its media spend is for sales

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Vodafone claims it has cracked the one question that has mystified most marketers – how to prove its media spend is undoubtedly generating sales.

Conversations between senior marketers and budget holders at the mobile carrier are changing; Instead of marketers saying ‘what I think I can deliver on a budget’ they are showing what they can deliver through a media buy, according to David Still, head of brand strategy and operations at Vodafone.

Speaking at today’s (5 November) launch of a Thinkbox report conducted by GroupM, the brand boss gave attendees a glimpse into how the business “stepped out of the world of marketing and into the world of science” to come up with an “accurate reflection of what we can spend at any given level and what we can sell”. That model has come from the unlikeliest of places – the pharmaceuticals sector.

Test and learn

Where many marketers are all too willing to use “received wisdom to inform their media strategies, Vodafone wants to, like all the world’s biggest drug and cosmetic companies do, bake testing into everything it does," said Still, who has spent the last 18 months trying to convince the business to get on board with the plan. And it’s paid off; now the business is conducting hundreds of tests across the country to determine the causal impact of each media channel.  

Still gave an example to explain the model. Over 12 weeks, the company might run a test in one TV region where it's doing TV, online and display with high, medium and low levels of media spend respectively, while in another region everything during that period is at a low level. It’s a snapshot of hundreds of experiments happening over that 12 week period, that aims to test every possible permeation of spend that Vodafone can muster. In isolation the tests mean nothing, but when combined it paints a clearer picture of how hard the mobile marketer’s media is working. And because Vodafone can see its sales at a geo-level it’s able to quantify the impact of its media across most of its channels.

However it’s an expensive model, with Vodafone testing up to sixteen times what it would normally spend. It’s why the model could only ever work for a business of a similar size to the telecoms and smaller advertisers will need to carry on searching for an alternative better suited to them.

“I’m truly accountable at every one of my media channels and what they will deliver in terms of sales,” added Still.

He went on to hail the impact of TV, adding that the “amount that we can spend on TV is less than we are currently spending” – suggesting that TV has more headroom for spend than most of its other channels in a way eschews the traditional but broken way of planning TV campaigns.

The source code

Vodafone, as well as industry experts from Sky Media, Ebiquity and Mediacom, agreed at the event that hitting the same people repeatedly in a limited time span during specific day parts was pointless. Given the breadth of data and myriad of media channels, that money would be better spent increasing the range of coverage and serving people at more times during the day – a complicated task for advertisers.

All the test results are pumped back into Vodafone’s econometric model, which in turn is used to spawn more detailed questions for more detailed tests. And while this approach is being pioneered in the UK, the mobile business is starting to see its other markets take up the reins, taking it into media and combining it with price elasticity.

“The future for us as a business is to get right under the skin of the media and get more granular and specific with our tests,” said Still. “Whether that involves us looking at effectiveness’ or efficiency but also understand how it works in combination with things like pricing."

Admittedly, Vodafone’s approach is geared to anlayse the shorter term effects of its advertising, with the business competing in one of the fastest-moving and dynamic sectors. Measurement tends to be done at a campaign level rather than a media channel level, although it does have similar type of control and exposed methodology for understanding the longer-term effect.

“We do look at it in the round and invest our money accordingly behind the campaigns that provide the biggest bang for the buck [for the longer-term] and not just in the short term,” said Still. “Clearly different times of the year, different market conditions mean at some points we will have to put more money in shorter-term metrics – that’s consistent with other businesses.

The hidden effects of TV advertising

The telecoms business rebooted its TV creative earlier this year, appointing Grey London as its lead creative agency across all its £53m UK business. It is likely upcoming tests will involve the new creative as the business looks to trumpet the freedom its 4G service offers is customers.

Vodafone’s show and tell was meant to reinforce TV’s status in splintering media mix. Thinkbox, the country’s cheerleader for commercial TV, used the same event to launch its report the “hidden effects” of TV’S role in response campaigns. It claimed that TV advertising is responsible for 44 per cent of media driven Facebook interactions for brands and that it creates the most short to medium term sales.

Grey London announces string of top level promotions

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Creative agency Grey London has announced a string of appointments to form a new creative leadership team.

Vicki Maguire and Dom Goldman have been promoted to executive creative directors (ECD) while Perry Nightingale, founder of Dare Labs, has been hired to join them as executive creative technologist.

In the new roles the trio will work under chairman and chief creative officer, Nils Leonard, to mentor the agency’s creative teams and partnering clients to develop advertising campaigns.

Maguire, who joined the company in 2009, has served as deputy ECD since July 2013. Her work on the British Heart Foundation received multiple awards and earlier this year she won a £53m Vodafone business pitch.

Former BBH creative director Dom Goldman joined Grey in February 2015 as deputy ECD and was most recently involved in the successful pitch for Tate for to promote the galleries and their art in popular culture.

Perry joined Dare as a developer in 2006 before leaving in 2013 to found the London School of Creativity, an online learning platform for creative development. 

Leonard said: “This creative leadership team is a clear signal to the industry of our intent and ambition to create an agency for the future, not the past. To challenge what is possible in our industry. And to continue to partner our clients in creating original, famous work.”

Discussing her promotion Maguire said “fucking brilliant, another 'skirt' in a top job” and added: “I've grown with Grey, so to be asked to be part of this new team is testament to that."

Dom Goldman said he was “grateful to help the agency move into its next phase”.

He continued: “This is the most exciting place in London. When I joined the agency I was blown away by the energy and talent at Grey London and in the nine months I’ve been here, that’s just grown and grown."

Tate Britain wants to 'connect artworks with a new audience' in fresh campaign

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Tate Britain has unveiled a series of posters to promote its most famous paintings.

Designed by Grey London, the print series strips away all visuals and uses the power of words to promote the artwork on display in the modern art gallery, inviting visitors to view the pieces in a completely different light.

Comprising three iterations which each focus on a different picture, including Francis Bacon's ‘Triptych’ and ‘Ophelia’ by Millais, the creative features crafted long copy alongside by custom typography.

Grey creatives Pete Gatley, Jonas Roth and Rasmus Smith-Bech wrote the words while the project was overseen by Grey chairman and chief-creative officer Nils Leonard.

The copy is designed to provide an insight into the manipulation of public image, the torture of obsessive love and the beauty of grief.

The ads will run as posters and tube cards on the London Underground as well as in press and online. 

The campaign marks Grey London's first project for the art gallery since winning the account earlier this year.

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